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Eric Mentzel
(541) 346-3780
mentzel@uoregon.edu
voice@uoregon.edu
Eric Mentzel came to the UO School of Music from Germany, where
he lived for nearly 15 years. He holds a bachelor's degree
in music education from Temple University in Philadelphia and a
Master of Fine Arts in Early Music Performance from Sarah Lawrence
College in New York. His teachers have included George McKinley,
Sheila Schonbrun, Marcy Lindheimer, and Detlef Zywietz, and he
has attended master classes with Christina Miatello and Nigel Rogers.
Mentzel is a specialist in historically-informed performance and
has enjoyed an international career as a concert soloist, working
with such conductors as Andrew Parrott, Howard Arman, Paul van
Nevel, and Jean Tubery. He has appeared at major festivals and
premiere concert venues across Europe, including the Holland Festival,
the Edinburgh Festival, the Amsterdam Concertgebouw, the Brussels
Palais de Beaux Arts, the Alte Oper in Frankfurt, and the Barber
Institute of Fine Arts in Birmingham; concert tours have taken
him as far as Japan and Australia. He is also known for his close
collaboration with the most highly regarded ensembles in the early
music field, such as Sequentia, the Ferrara Ensemble, and the Huelgas
Ensemble. He has appeared on more than 40 CDs for Sony, Decca,
BMG, Harmonia Mundi, Arcana, Opus 111, Raumklang, Naxos, and Capriccio,
and his recordings have been awarded the Preis der deutschen
Schallplattenkritik (German Grammy), the Diapason d'Or
de l'Annee, and the Choc de Musique (French recording
awards). In 1998 he founded Vox Resonat—an ensemble devoted
to the performance of medieval and Renaissance vocal music—which
has recorded two CDs for the Marc Aurel Edition label.
In addition to his work in oratorio and early music, Mentzel has
long been involved in the contemporary music scene, premiering
new works by Alfred Schnittke, Henri Pousseur, Andrew Toovey, Johannes
Fritsch, and Volker Staub. At Hamburg's Opera Stabile, he sang
the role of Ubu's wife in the German premiere of Toovey's chamber
opera, UBU; he was also featured in the German premiere of Schnittke's
Life With An Idiot in Wuppertal and Gelsenkirchen. He was tenor
soloist with the Royal Walloon Chamber Orchestra in the world premiere
of Le Sablier du Phénix by Henri Pousseur, and performed
compositions by Hugues Dufourt and Jonathan Harvey at the Ars Musica
Festival in Brussels. Mentzel appears on the world premiere recording
of Volker Staub's Suarogate, commissioned by Saarland Radio, and
was heard in the world premiere of Yokohama by Johannes Fritsch,
which was broadcast live across Europe as part of Radio Hessen's
Forum Neue Musik. For Projekt Südbrücke, a theater piece
that used as its performing space a railroad bridge spanning the
Rhine, he collaborated with Cologne performance artist Angie Hiesl.
Most recently he sang the lead role in the world premiere of Stargazer, a new opera by Seattle composer Garrett Fisher.
Eric Mentzel is frequently invited to teach workshops and master
classes in Europe and North America. He is a guest teacher at the
Royal Conservatory in The Hague, Netherlands, and is on the faculty
of the Medieval Music Summer Course at the Schola Cantorum in Basel,
Switzerland, and the Vancouver Early Music Programme in Vancouver,
British Columbia. In recent years he has conducted workshops in
Siena, Italy; Berlin, Germany; and Melbourne, Australia.
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Eric Mentzel
Associate Professor
(voice)
B.Mus, 1980, Temple University College of Music
M.F.A., 1983, Sarah Lawrence College
(2002)
DISCOGRAPHY
• Stargazer, 16 Visions, 2007
• Joculatores Dei: Minstrels of God, Vox Resonat (directed
by Eric Mentzel), Marc Aurel Edition; 2007
•
Lost Songs of a Rheinland Harper, Sequentia, BMG/Deutsche Harmonia Mundi, 2005
• Carmina Burana, Ony Wytars/Unicorn Ensemble, Naxos, 2002
• Northerne Wynde: Music of Walter Frye, Ferrara Ensemble,
Marc Aurel Edition, 2002
• Le Chant de Virgile, Huelgas Ensemble, Harmonia Mundi,
2001
• Mercy ou Mort: chansons et motets d'mour de Guillaume de
Machaut, Ferrara Ensemble, Arcana, 2001
• Musica Sacra in Colonia, Musica Fiata, Glissando, 2000.
Awarded the Choc de Musique.
• Choralis Septentrionalis, Retrover, Opus 111, 2000
• Suarogate for vocal soloists and instrumental ensemble
by Volker Staub (composer), Wergo Records, 1999
• Giovanni Gabrieli: In Festo Trinitatis, La Fenice, Chamber
Choir of Namur, directed by Jean Tubery, Ricercar, 1999
• The Whyte Rose, Ferrara Ensemble, Arcana, 1999
• Hildegard von Bingen: Saints, Ensemble Sequentia, BMG/Deutsche
Harmonia Mundi, 1998
• Tientos y Glosas en Iberia, Ensemble Gilles Binchois, Tempéraments,
1998
• Codex Reina: Ballades, Virelais et Rondeaux, Continens
Paradisi, Symphonia, 1998
• En doulz chastel de Pavie: Songs of the Visconti court
(1400), Ferrara Ensemble, Harmonia Mundi France, 1998
• Piae Cantiones, Retrover, Naxos, 1997
• Aquitania, Ensemble Sequentia, BMG/Deutsche Harmonia Mundi,
1998
• Motetus: Music at the Time of Notre-Dame in Paris, Clemencic
Consort, Stradivarius, 1996
• Fleurs de vertu: chansons subtiles à la fin du XIVe
siècle, Ferrara Ensemble, Arcana, 1996
Awarded the Diapason d'Or.
• Shining Light: Music from Aquitanian Monasteries, Ensemble
Sequentia, BMG/Deutsche Harmonia Mundi, 1996
• Visions from the Book, Ensemble Sequentia, BMG/Deutsche
Harmonia Mundi, 1996
• Utopia Triumphans: The Great Polyphony of the Renaissance,
Huelgas Ensemble, Sony Classics, 1995; Awarded the Diapason
d'Or de l'Année.
• Hildebrandston: chansonniers allemands du XVe siècle,
Ferrara Ensemble, Arcana., 1995
Awarded the Diapason d'Or de l'Année.
• Heinrich Schütz: Musikalische Exequien, Schütz-Akadamie
Berlin, Berlin Classics, 1994
• Music at the Court of the Counts von Bünau, Bläser-Collegium
Leipzig and Ensemble Alte Musik Dresden, Raumklang, 1994
• Vox Iberica I: Sons of Thunder, Music for St. James the
Apostle from the Codex Calixtinus, Ensemble Sequentia, BMG/Deutsche
Harmonia Mundi 1992. Awarded the Preis der deutschen Schallplatten
Kritik, Diapson d'Or.
• Vox Iberica II: Codex Las Huelgas, Music from the Royal
Convent of Las Huelgas de Burgos, Ensemble Sequentia, BMG/Deutsche
Harmonia Mundi, 1992. Awarded the Preis der deutschen Schallplatten
Kritik, Diapson d'Or
• Vox Iberica III: El Sabio, Songs for King Alfonso X of
Castile and Leon, Ensemble Sequentia, BMG/Deutsche Harmonia Mundi,
1992. Awarded the Preis der deutschen Schallplatten Kritik, Diapson
d'Or.
• Philippe de Vitry: Motets and Chansons, Ensemble Sequentia,
BMG/Deutsche Harmonia Mundi, 1991
• Philippe le Chancelier: Conductus, Lai, Sequence, Rondellus,
Notre-Dame School, Ensemble Sequentia, BMG/Deutsche Harmonia Mundi,
1991
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