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Composition
Undergraduate | Graduate
Faculty: Jack Boss,
David Crumb (chair),
Robert Kyr, Terry
McQuilkin, Hal Owen
(Professor Emeritus), Jeffrey
Stolet
Composition Studies at the UO School of Music and Dance The programs offered
by the Composition Department at the University of Oregon School of Music and Dance are designed for students with a talent for and strong
interest in composing music in a contemporary idiom. Students whose
primary interest is in jazz, popular, or commercial music may find
that choosing the Composition Major may not fulfill their needs.
Undergraduate composition studies normally begin in the sophomore
year, after students have completed Music Theory I, Aural Skills
I, and Keyboard Skills I. Those wishing to take Composition I are
expected to have some original music properly notated to show to
the composition faculty before being admitted to the composition
program.
The School of Music and Dance offers degrees in composition at all levels:
the Bachelor of Music in Composition (normally a four- to five-year
program), the Master of Music in Composition (normally a two-year
program), the Doctor of Philosophy, and the Doctor of Musical Arts
in Composition (a three- to five-year program).
UNDERGRADUATE
Students wishing a broader education while majoring in music with
a focus in composition should consider the Bachelor of Science
or the Bachelor of Arts degrees.
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GRADUATE
A full range of graduate studies in composition is available through
such programs as the master of music, doctor of musical arts, and
doctor of philosophy degrees. The general purposes of these programs
are to advance ability in composing artistic music, to provide
guidance and facilities for composing, and to encourage opportunities
for public performances of new works. Compositional studies are
available in private sessions focused on individual interests and
needs and in seminars and small classes in which composers meet
to explore mutual concerns.
Several kinds of scholarships and teaching fellowships are available
to graduate students in composition. The Ruth Lorraine Close Musical
Fellows awards are especially addressed to composers. Each year
several of these scholarships are awarded. Three professional composers,
each with a substantial reputation, and an eminent composer of
electronic music, comprise the composition faculty. Together they
represent well a diversity of twentieth-century artistic styles.
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